SalemNews.com, Salem, MA

Nation/World

December 16, 2013

'Lawrence of Arabia' star Peter O'Toole dead at 81

LONDON (AP) — Known on the one hand for his starring role in “Lawrence of Arabia,” leading tribesmen in daring attacks across the desert wastes, and on the other for his headlong charges into drunken debauchery, Peter O’Toole was one of the most magnetic, charismatic and fun figures in British acting.

O’Toole, who died Saturday at age 81 at the private Wellington Hospital in London after a long bout of illness, was nominated a record eight times for an Academy Award without taking home a single statue.

He was fearsomely handsome, with burning blue eyes and a penchant for hard living which long outlived his decision to give up alcohol. Broadcaster Michael Parkinson told Sky News television it was hard to be too sad about his passing.

“Peter didn’t leave much of life unlived, did he?” he said.

A reformed — but unrepentant — hell-raiser, O’Toole long suffered from ill health. Always thin, he had grown wraithlike in later years, his famously handsome face eroded by years of outrageous drinking.

But nothing diminished his flamboyant manner and candor.

“If you can’t do something willingly and joyfully, then don’t do it,” he once said. “If you give up drinking, don’t go moaning about it; go back on the bottle. Do. As. Thou. Wilt.”

O’Toole began his acting career as one of the most exciting young talents on the British stage. His 1955 “Hamlet,” at the Bristol Old Vic, was critically acclaimed.

International stardom came in David Lean’s “Lawrence of Arabia.” With only a few minor movie roles behind him, O’Toole was unknown to most moviegoers when they first saw him as T.E. Lawrence, the mythic British World War I soldier and scholar who led an Arab rebellion against the Turks.

His sensitive portrayal of Lawrence’s complex character garnered O’Toole his first Oscar nomination, and the spectacularly photographed desert epic remains his best known role. O’Toole was tall, fair and strikingly handsome, and the image of his bright blue eyes peering out of an Arab headdress in Lean’s film was unforgettable.

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